Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Gentlemen-s Race oil painting


Gentlemen-s Race
mk235 1862 Oil on canvas
Painting ID::  54512 		Edgar Degas
Gentlemen-s Race
mk235 1862 Oil on canvas
   
   
     
Edgar Degas The Belleli Family oil painting


The Belleli Family
mk235 1858-1860 Oil on canvas 200x250cm
Painting ID::  54530 		Edgar Degas
The Belleli Family
mk235 1858-1860 Oil on canvas 200x250cm
   
   
     
Edgar Degas Woman with Chysanthemums oil painting


Woman with Chysanthemums
mk235 1865 Oil on canvas
Painting ID::  54541 		Edgar Degas
Woman with Chysanthemums
mk235 1865 Oil on canvas
   
   
     
Edgar Degas Mlle Eugenie Fiocre in the Ballet oil painting


Mlle Eugenie Fiocre in the Ballet
mk235 c.1867/68 Oil on canvas
Painting ID::  54543 		Edgar Degas
Mlle Eugenie Fiocre in the Ballet
mk235 c.1867/68 Oil on canvas
   
   
     
Edgar Degas The Opera Orchestra oil painting


The Opera Orchestra
mk235 c.1868/69 Oil on canvas
Painting ID::  54564 		Edgar Degas
The Opera Orchestra
mk235 c.1868/69 Oil on canvas
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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